The plot is solid and finds a logical wrinkle within the crossover’s premise in which to base itself. Where other heroes were just Gotham civilians during Zero Year, like Nightwing and Batgirl, or fledgling heroes who found reasons to visit, like Superman or the Flash, John Stewart’s origin gives him a solid reason to be in Gotham during the blackout.Īssigned to a Marine unit sent to help with evacuation efforts, John encounters a new version of Anarky, who’s partially assimilated and partially taken hostage a stadium of refugees in an attempt to establish a foothold in Gotham. Well here, it kind of pays off for the long-suffering Lantern. His history is a bit of a mess for instance, I don’t know that it’s ever been addressed that John is man in his thirties who’s supposedly served as an active Marine and undergone the mandatory five or more years it takes to become an architect before joining the Green Lantern Corps. I mention this because John is a character who people really want to succeed but has rarely found a status quo that worked for him. Before long this was transferred into the comics continuity and this new John returned to the Green Lantern Corps with honor, before beginning his cycle of reinvention once again. This John Stewart was a former Marine stern, straight-laced, and stoic. That changed in 2001 when he was chosen to represent the Corps in the Justice League animated series, making him the Green Lantern to an entire generation. Since then he’s had a number of false starts that generally left him languishing in obscurity until the next reboot of his role came along. Created by Denny O’Neill and Neal Adams, Stewart debuted as an architect and a somewhat justified Angry Black Man, focused on egalitarianism, transparency, and questioning authority. ![]() The Review: John Stewart is one of the most interesting figures in DC’s history. The Story: John Stewart’s knowledge of the Super Bowl halftime show saves the day. By: Van Jansen (script), Robert Venditti (co-plot), Victor Orujiniu and Ivan Fernandez (main sequence pencils), Juan Castro and Rob Lean (main sequence inks), Allan Jefferson (flashback pencils), Rob Lean (flashback inks), Garry Henderson (colors)
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